This site is dedicated to the preservation of memory of silent films. Although they were quite important in the evolution of cinema, they remain virtually forgotten nowadays. Since the best way to understand the present is taking an attentive look at the past, here you have some movies, pictures, interviews, etc. on silent cinema. Some occasional material on sound films will also be presented. I hope you enjoy getting to know a bit more about the beauty and sheer fun of these golden oldies.
Saturday, April 14, 2012
The Light in the Dark - 1922
Country: United States
Director: Clarence Brown
Writers: Clarence Brown, William Dudley Pelley
Stars: Hope Hampton, E.K. Lincoln and Lon Chaney
Release Date: 3 September 1922 (USA)
Also known as: The Light of Faith (undefined)
Filming Locations: New York City, New York, USA
Production Co: Hope Hampton Productions, Vitagraph Company of América
Runtime: 33 min
Sound Mix: Silent
Color: Black and White
Plot Keywords: Holy Grail | Small Town | Partially Lost Film | Criminal
Genres: Short | Crime | Drama | Romance
A young girl is struck and seriously injured by a wealthy society matron's car. The woman brings the girl back to her house. Later, a hardened thief is told by the girl of a goblet, that could be the Holy Grail, which has healing powers and could help her. The thief, touched by her predicament, sets out to steal the goblet and bring it to her.
Trivia
This film was presumed lost until September 2003 when a near-complete print was discovered among a cache of 35mm nitrate film prints being stored in the garage of a former theater projectionist.
A 70-minute reconstruction was produced by the International Museum of Photography and Film at George Eastman House.
Butter Fingers - 1925
Country: United States
Language: English (intertitles)
Director: Del Lord
Writers: Jefferson Moffitt (scenario), Felix Adler (titles), Al Giebler (titles)
Stars: Billy Bevan, Andy Clyde and Ruth Taylor
Release Date: 30 August 1925 (USA)
Production Co: Mack Sennett Comedies
Runtime: 16 min
Sound Mix: Silent
Color: Black and White
Genres: Short | Comedy
This short film was part of a DVD set called "Reel Baseball" and it consists of many silent baseball films. This review is based on Disc 2--a rather enjoyable collection of surprisingly good films with excellent musical scores from Kino.
The plot involves Billy being the star pitcher for the Bees and with his amazing pitching, there is no way the evil New York team can win. This New York team is not identified as the Giants, but the uniforms appear identical. The coach of New York realizes the only way to win is to cheat and he uses his evil wife to try to trap Billy into throwing the game.
Connections
Featured in Sports on the Silver Screen (1997)
Friday, April 13, 2012
Love's Prisoner - 1919
Country: United States
Language: English
Director: John Francis Dillon
Writers: E. Magnus Ingleton
(screenplay), E. Magnus Ingleton (story)
Stars: Olive Thomas, Joe King and
William V. Mong
Release Date: 8 June 1919 (USA)
Production Co: Triangle Film Corporation
Sound Mix: Silent
Color: Black and White
Genres: Crime | Drama
A young lady, who "hates the law" rises from
the tenements to society. Financial reverses lead her to commit a series of
burglaries as "The Bird". She becomes involved with the detective
investigating the burglaries. After she confesses and pays for her crimes, they
marry.
Manhandled - 1924
Country: United States
Director: Allan Dwan
Writers: Julian Johnson (titles),
Arthur Stringer (story), Sidney R. Kent (story), Frank Tuttle (screenplay - as
Frank W. Tuttle)
Stars: Gloria Swanson, Tom Moore
and Lilyan Tashman
Release Date: 22 July 1924 (USA)
Also known as: Escravizada
(Portugal), Juguete del placer (Spain), Tricheuse (France)
Filming Locations: Paramount
Studios, Astoria, Queens, New York City, New York, USA
Production Co: Famous
Players-Lasky Corporation
Sound Mix: Silent
Color: Black and White
Plot Keywords: Society |
Beautiful Woman
Genres: Drama | Comedy
When her boyfriend, Jimmy,
forgets a date, Tessie McGuire, a department store clerk, attends a party at
the studio of Robert Brandt where she makes a hit with impersonations...
This rarely shown film is a
delightful surprise, still fresh and amusing after 80 years. MANHANDLED is a
saucy little comedy which concerns the struggles of an ambitious working girl
in New York. The biggest surprise is the identity of the leading lady: it isn't
Colleen Moore or Clara Bow, who made careers out of doing this sort of thing,
but Gloria Swanson, who in 1924 was best known for playing patrician beauties
in high-class soap operas. Gloria is surprisingly believable here in the
unlikely role of Tessie McGuire, a lowly clerk in a department store, who
commutes on the subway, lives in an apartment the size of a tool-shed, and
struggles to make ends meet. What's more, Swanson is genuinely funny! I've seen
a few of the two-reel comedies she made for Mack Sennett early in her career,
but in those shorts she was usually relegated to playing straight woman (or
Damsel in Distress) while the male clowns were entrusted with the gags. In
MANHANDLED, however, Swanson is the star comedian, and her comic abilities are given
free reign in scene after scene. I was fortunate enough to see this movie at
Film Forum in NYC, where it was greeted with waves of laughter throughout; a
passerby outside might've assumed we were watching Harold Lloyd.
The story is introduced with a wordy
but intriguing title card: "The world lets a girl think that its pleasures
and luxuries may be hers without cost—that's chivalry. But if she claims them
on this basis, it sends her a bill in full, with no discount—that's
reality." Based on that intro alone a viewer might expect the sort of
light comedy of manners Swanson had been making for director Cecil B. DeMille a
few years earlier (the moralistic prose certainly smacks of DeMille) but the
opening scenes make it clear that we're in for something earthier and more fun.
Tessie McGuire is a gum-chewing gal who wears a silly hat adorned with fake
fruit—the kind of hat Gloria Swanson, legendary clothes-horse, wouldn't have
been caught dead wearing in reality, but somehow she doesn't come off as
patronizing in this role. Within a few moments we adjust and accept her as a
hard-working clerk from Thorndyke's department store, weary and footsore after
a long day's shift on the job. Leaving the store our bleary-eyed heroine heads
for the subway, and the sequence which follows is a classic: the petite Tessie
is shoved every which way as she crams herself into the train, squeezes
uncomfortably between two large men, and even gets hoisted into the air,
accidentally, as she attempts to retrieve the contents of her dropped purse.
Adding insult to injury, a gross-looking guy winks at her, and she can't even
get out easily when the train reaches her station, as mobs of incoming
commuters repeatedly force her back in. This sequence scored a particular hit
at the recent Film Forum screening, earning big laughs from New Yorkers who
still deal with this stuff every day!
The subway scene is deservedly
famous, but the movie is just getting started. We learn that Tessie has a
boyfriend named Jimmy (Tom Moore), a garage mechanic who is convinced that his
car-related invention will make a fortune, enabling them to get married and
live well. Tessie is supportive, but frustrated that Jim's heavy work schedule
doesn't allow them much time together. When circumstances permit her to go to a
swanky party with a girlfriend, she goes, and this is where things really take
off. Tessie scores a hit with the swells, although it's clear (in another comic
highlight) that she's baffled by the pretentious party chat flying back and
forth. Guests include a number of wealthy and powerful people along with
prominent artists and performers; among the latter is real-life Ziegfeld
Follies star Ann Pennington, who dances with her stage partner Brooke Johns.
Tessie— who has had a drink or two —performs her own version of the dance,
loses her drawers, and takes a tumble, but somehow charms a handsome artist
(Ian Keith) who engages her as a model and then dresses her in a wacky
pseudo-Asian outfit that looks like a parody of Betty Blythe's Queen of Sheba.
When the modeling gig doesn't work out, Tessie is engaged by the owner of a
Park Avenue salon who hires her to pose as an exiled Russian countess and lend
his establishment a touch of exotic class. Tessie's new employer is portrayed
by Frank Morgan, already playing roués at age 34, and looking very much as he
would throughout his entire career. (At the screening I attended I overheard a
young woman exclaim: "Wow, the Wizard of Oz as an old lech!")
Tessie's new job is certainly a step up from the department store, but her
disguise is threatened when she is confronted by an actual Russian exile; her
escape from exposure is ingenious and amusing.
As Tessie's strange career
lurches along she comes into conflict with Jimmy, and unfortunately the story
takes a brief sentimental turn towards the end, but I think it goes without
saying that romantic comedies like this one always end happily once the
misunderstandings are ironed out. MANHANDLED is not a plot-driven film, and a
simple scene-by-scene description of what happens in it really doesn't do it
justice. This movie is driven by Gloria Swanson's beautifully calibrated
performance: it's her priceless facial expressions as she's chewed-out by her
boss at the department store, her tipsy maneuvering at the party, her Pola
Negri send-up when she masquerades as a Russian countess. She's terrific, and
seeing this film makes me wish she'd appeared in more comedies, and that this
one could be more readily accessible for modern viewers. Swanson could do a lot
more than play crazy Norma Desmond, and this film is ample and highly enjoyable
proof of that.
Connections
Featured in The Age of Ballyhoo
(1973) shows scenes and gloria also talks about it.
Hollywood (1980). Hollywood:
Swanson and Valentino (1980) - film clip shown.
The Clown and the Alchemist - 1900
Country: United States
Release Date: November 1900 (USA)
Filming Locations: Vitagraph
Studios - 15th Street & Locust Avenue, Flatbush, Brooklyn, New York City,
New York, USA
Production Co: Edison
Manufacturing Company
Plot Keywords: Clown | Magic |
Apparition | Magician
Genres: Comedy | Fantasy | Short
Although we are led to believe that the ancient
alchemists were all powerful, this picture somewhat reverses the order of
things. The clown plays some wonderful pranks on the old professor. He appears
in numerous startling positions, using his club with great effect and always
escaping punishment. At last the alchemist brings his magic power into use, and
calling two hooded assistants, orders a large cauldron brought in. The climax,
by which the clown finally disposes of the alchemist, is startling in the
extreme.
Hockey Match on the Ice - 1898
Country: United States
Director: William Heise
Release Date: February 1898 (USA)
Production Co: Edison
Manufacturing Company
Sound Mix: Silent
Color: Black and White
Genres: Short | Sport
"The skaters dart to and fro, swinging their
hockeys and trying to hit the disc toward the goal."
Astor Battery on Parade - 1899
Country: United States
Release Date: January 1899 (USA)
Filming Locations: New York City,
New York, USA
Production Co: Edison
Manufacturing Company
Plot Keywords: Spanish American
War
Genres: Short
The Astor Battery became famous after the
Spanish-American war and these young men are on display in this Edison short,
which was shot on Saturday, January 21, 1899. We see a parade cross Broadway
onto Union Square with the mounted police, the band and then the Astor Battery.
The footage of this short is still in very good condition, which adds a lot
considering how little footage is available of these men. Needless to say the
real entertainment comes from seeing these real life men and as a history
lesson this film is quite important.
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