Country: United States
Language: English
Director: Rowland V. Lee
Writers: Emilie Johnson (story),
Joseph F. Poland
Stars: Hobart Bosworth, Emory
Johnson and Bessie Love
Release Date: 5 December 1921
(USA)
Production Co: Hobart Bosworth
Productions
Sound Mix: Silent
Color: Black and White
Plot Keywords: Castaway | Mutiny
| Whaling | Sea | San Francisco California
| Melodrama
Brutish whale-hunting Hobart
Bosworth (as John Nelson) is no favorite on the docks of San Francisco. The
feared taskmaster captain of "The Lair" runs a tight ship, and has
trouble finding men to fill a crew. Overhearing two mates discuss impending
fatherhood causes Bosworth to recall when he and his wife "Dolly May"
were expecting their baby… and, we "flashback" twenty years, for a
bitter recollection… Bosworth returns from seafaring, with a cradle built for
baby, and discovers his wife's note: "Please forget me. I have found the
man I really love. Dolly." So, now we know why Bosworth's a brute...
What isn't explained is how he
knows he couldn't be the baby's father. Another sloppy plot development is the
changing of the "flashback" incident, later in the picture, from
twenty to sixteen years ago; either Bosworth has poor recall or someone decided
to make the daughter, when she finally appears as an adult, younger. While Mr.
Bosworth frightens away potential sailors, young wastrel Emory Johnson (as Tom
Walton) is thrown off his estate, after his father pays off a gold-digging
girlfriend.
With nowhere to turn, Mr. Johnson
joins Bosworth's crew, where "The Sea Lion" bullies him unmercifully.
Hoping to find drinking water, the ship approaches an uncharted island. There,
they find fetching young Bessie Love (as Blossom) and wizened guardian Richard
Morris (as "Uncle" Billy), survivors of a sixteen-year-old shipwreck.
Johnson finds Ms. Love attractive; he tries to help her avoid Bosworth, who
thinks she is the daughter of his wife and her lover - but, Bosworth may not
know the whole true story…
This was the last of stage
veteran Bosworth's self-produced vehicles, and was definitely representative of
his "silent film"-era starring roles. There was more variety in the
actor's abilities, but Bosworth was most frequently seen as a snarling
seafarer. Around this picture's release, he was winding down from a resurgence
of popularity begun with a "comeback" appearance in "Behind the
Door" (1919). In spite of chronic health problems, Bosworth sailed on into
the 1940s, becoming an effective sound era character actor.
No comments:
Post a Comment