A typical
1910s melodrama, with provides some of greatest imageries of early cinema and
reveals the high quality of Danish films of the decade, including the special
effects. Denmark had a quite vibrant production of films prior to WW1, and the
most famous actors of this generation were Asta Nielsen and Valdemar Psilander (By the way, both of them were NOT part of the cast of this film).
It is
impossible not to compare the plot of this film with the infamous sinking of
the Titanic in the previous year. Although the film is slow-paced, the plot has
a plenty of action all along. Showing the calm days of Danish aristocracy prior
to WW1, the acting is very stagy, even stationary compared with the
naturalistic acting that had started been adopted by Hollywood, this film also
has a touch of modernity. It shows Angèle, the wife of Dr. Friedrich Kammacher,
a scientist (a bacteriologist), suffering from mental disease. All those
scientific matters being still new and highly researched back to 1910s, an echo
of XIX century progressist ideas that had science in high esteem. We can also
see by the professions of main characters and scenery that the film is
portraying lives of members upper classes.
Dr. Kammacher
had the disappointment of having his research papers rejected by the academy
and when Angéle is finally brought to a mental hospital, her husband kissed his
children goodbye and decided to go on a journey in other to recover. When he
arrived in Berlin he met a erotic dancer called Ingigerd, and got immediately
fascinated by her. After hearing she was going to the United States, he left
his past life behind and followed her on board the ocean liner “Atlantis”. Things
were going fine until it happened a shipwreck. A drifting lifeboat with the
people who survived the tragedy was rescued and they were taken aboard another
ship. Ingigerd was one of survivors. They all eventually managed to arrive in
New York and this part of film included some very beautiful takes of New York,
which provides a lovely glimpse of how the landscape of the city looked like
back to the 1910s.
Dr.
Friedrich Kammacher also survived the shipwreck and was welcomed by his friends
in NYC and he got together with Ingigerd there. However, time passes and their
relationship has problems, mostly because Dr. Friedrich Kammacher is annoyed by Ingigerd’s
artistic career and her personality, and they become estranged. Disheartened
and suffering from depression since the shipwreck happened, he goes to a
distant cabin in the mountains. Perhaps, considering nowadays’ medicine, Dr. Kammacher
might even had post traumatic syndrome due to the shock of the tragic event. Dr.
Kammacher got very ill while in the cabin after knowing his wife had passed
away, but he is taken care of and cured. He has an affair with Miss Burns, who
even promised Dr. Friedrich Kammacher to be a good mother for his children, and
they both return to Denmark in order to reunite with Kammacher’s family and
start a new life.
Although
many people consider the shipwreck scenes the highlight of the film, this is
not really fair. Atlantis has some of most beautiful imagery shown in a silent
film, the elegant wardrobe of the cast is also a noteworthy aspect, together
with the scenery. The landscape scenes
are breathtaking and the using of coloring was brief, but very proper. It is
also interesting to see the mix of modernity in the approached subjects
(science, medicine, arts) and an acting that would soon become old fashioned.
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